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发布时间:2024-09-19 20:56:41

[单选题]( )is the approved version of the time-phased project budget,excluding any management reserves,which can only be changed through formal change control precedures and is used as a basis for comparison to actual results.
A.The control accounts
B.Funding requirement
C.The cost estimates
D.The cost baseline

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[单选题]The authorities approved the new round of local infrastructure development.
A.author
B.authentication
C.authorizer
D.government
[单选题]If the approved change requests have an effect on the project scope,then the corresponding component documents and cost baselines,and( )of the project management plan are revised and reissued to reflect the approved changes.
A.developing baselines
B.testing baselines
C.schedule base lines
D.ending baselines
[单选题]My mother finally approved of my plan to receive further education abroad.
A.contributed to
B.disagreed with
C.dedicated to
D.consented to
[单选题]Text 3 In the idealized version of how science is done,facts about the world are waiting to be observed and collected by objective researchers who use the scientific method to carry out their work.But in the everyday practice of science,discovery frequently follows an ambiguous and complicated route.We aim to be objective,but we cannot escape the context of our unique life experience.Prior knowledge and interest influence what we experience,what we think our experiences mean,and the subsequent actions we take.Opportunities for misinterpretation,error,and self-deception abound.Consequently,discovery claims should be thought of as protoscience.Similar to newly staked mining claims,they are full of potential.But it takes collective scrutiny and acceptance to transform a discovery claim into a mature discovery.This is the credibility process,through which the individual researcher’s me,here,now becomes the community’s anyone,anywhere,anytime.Objective knowledge is the goal,not the starting point.Once a discovery claim becomes public,the discoverer receives intellectual credit.But,unlike with mining claims,the community takes control of what happens next.Within the complex social structure of the scientific community,researchers make discoveries;editors and reviewers act as gatekeepers by controlling the publication process;other scientists use the new finding to suit their own purposes;and finally,the public(including other scientists)receives the new discovery and possibly accompanying technology.As a discovery claim works it through the community,the interaction and confrontation between shared and competing beliefs about the science and the technology involved transforms an individual’s discovery claim into the community’s credible discovery.Two paradoxes exist throughout this credibility process.First,scientific work tends to focus on some aspect of prevailing Knowledge that is viewed as incomplete or incorrect.Little reward accompanies duplication and confirmation of what is already known and believed.The goal is new-search,not re-search.Not surprisingly,newly published discovery claims and credible discoveries that appear to be important and convincing will always be open to challenge and potential modification or refutation by future researchers.Second,novelty itself frequently provokes disbelief.Nobel Laureate and physiologist Albert Azent-Gyorgyi once described discovery as“seeing what everybody has seen and thinking what nobody has thought.”But thinking what nobody else has thought and telling others what they have missed may not change their views.Sometimes years are required for truly novel discovery claims to be accepted and appreciated.In the end,credibility“happens”to a discovery claim–a process that corresponds to what philosopher Annette Baier has described as the commons of the mind.“We reason together,challenge,revise,and complete each other’s reasoning and each other’s conceptions of reason.”35.Which of the following would be the best title of the test?
A.Novelty as an Engine of Scientific Development.
B.Collective Scrutiny in Scientific Discovery.
C.Evolution of Credibility in Doing Science.
D.Challenge to Credibility at the Gate to Science.
[不定项选择题]In the idealized version of how science is done, facts about the world are waiting to be observed and collected by objective researchers who use the scientific method to carry out their work. But in the everyday practice of science, discovery frequently follows an ambiguous and complicated route. We aim to be objective, but we cannot escape the context of our unique life experience. Prior knowledge and interest influence what we experience, what we think our experiences mean, and the subsequent actions we take. Opportunities for misinterpretation, error, and self-deception abound.   Consequently, discovery claims should be thought of as protoscience. Similar to newly staked mining claims, they are full of potential. But it takes collective scrutiny and acceptance to transform a discovery claim into a mature discovery. This is the credibility process, through which the individual researcher’s me, here, now becomes the community’sanyone, anywhere, anytime. Objective knowledge is the goal, not the starting point.   Once a discovery claim becomes public, the discoverer receives intellectual credit. But, unlike with mining claims, the community takes control of what happens next. Within the complex social structure of the scientific community, researchers make discoveries; editors and reviewers act as gatekeepers by controlling the publication process; other scientists use the new finding to suit their own purposes; and finally, the public (including other scientists) receives the new discovery and possibly accompanying technology. As a discovery claim works it through the community, the interaction and confrontation between shared and competing beliefs about the science and the technology involved transforms an individual’s discovery claim into the community’s credible discovery.   Two paradoxes exist throughout this credibility process. First, scientific work tends to focus on some aspect of prevailing Knowledge that is viewed as incomplete or incorrect. Little reward accompanies duplication and confirmation of what is already known and believed. The goal is new-search, not re-search. Not surprisingly, newly published discovery claims and credible discoveries that appear to be important and convincing will always be open to challenge and potential modification or refutation by future researchers. Second, novelty itself frequently provokes disbelief. Nobel Laureate and physiologist Albert Szent-Gy?rgyi once described discovery as “seeing what everybody has seen and thinking what nobody has thought.” But thinking what nobody else has thought and telling others what they have missed may not change their views. Sometimes years are required for truly novel discovery claims to be accepted and appreciated.   In the end, credibility “happens” to a discovery claim—a process that corresponds to what philosopher Annette Baier has described as the commons of the mind. “We reason together, challenge, revise, and complete each other’s reasoning and each other’s conceptions of reason.” Which of the following would be the best title of the test?
A.Novelty as an Engine of Scientific Development.
B.Collective Scrutiny in Scientific Discovery.
C.Evolution of Credibility in Doing Science.
D.Challenge to Credibility at the Gate to Science.
[单选题]Text 1 In the 2006 film version of The Devil Wears Prada,Miranda Priestly,played by Meryl Streep,scold her unattractive assistant for imagining that high fashion doesn’t affect her.Priestly explains how the deep blue color of the assistant’s sweater descended over the years from fashion shows to department stores and to the bargain bin in which the poor girl doubtless found her garment.This top-down conception of the fashion business couldn’t be more out of date or at odds with feverish world described in Overdressed,Elizabeth Cline’s three-year indictment of“fast fashion”.In the last decades or so,advances in technology have allowed mass-market labels such as Zara,H&M,and Uniqlo to react to trends more quickly and anticipate demand more precisely.Quckier turnrounds mean less wasted inventory,more frequent releases,and more profit.Those labels encourage style-conscious consumers to see clothes as disposal——meant to last only a wash or two,although they don’t advertise that——and to renew their wardrobe every few weeks.By offering on-trend items at dirt-cheap prices,Cline argues,these brands have hijacked fashion cycles,shaking all industry long accustomed to a seasonal pace.The victims of this revolution,of course,are not limited to designers.For H&M to offer a 5.95 knit miniskirt in all its 2300-plus stores around the world,it must rely on low-wage,overseas labor,order in volumes that strain natural resources,and use massive amount of harmful chemicals.Overdressed is the fashion world’s answer to consumer activist bestsellers like Michael Pollan’s The Omnivore’s Dilemma.Mass-produced clothing,like fast food,fills a hunger and need,yet is non-durable,and wasteful,”Cline argues,Americans,she finds,buy roughly 20 billion garments a year——about 64 items per person——and no matter how much they give away,this excess leads to waste.Towards the end of Overdressed,Cline introduced her ideal,a Brooklyn woman named SKB,who,since 2008 has make all of her own clothes——and beautifully.But as Cline is the first to note,it took Beaumont decades to perfect her craft;her example,can’t be knocked off.Though several fast-fashion companies have made efforts to curb their impact on labor and the environment——including H&M,with its green Conscious Collection Line——Cline believes lasting-change can only be effected by the customer.She exhibits the idealism common to many advocates of sustainability,be it in food or in energy.Vanity is a constant;people will only start shopping more sustainably when they can’t afford to it.25.What is the subject of the text?
A.Satire on an extravagant lifestyle.
B.Challenge to a high-fashion myth.
C.Criticism of the fast-fashion industry.
D.Exposure of a mass-market secret.
[不定项选择题]In the 2006 film version of The Devil Wears Prada, Miranda Priestly, played by Meryl Streep, scolds her unattractive assistant for imagining that high fashion doesn’t affect her. Priestly explains how the deep blue color of the assistant’s sweater descended over the years from fashion shows to department stores and to the bargain bin in which the poor girl doubtless found her garment.   This top-down conception of the fashion business couldn’t be more out of date or at odds with the feverish world described in Overdressed, Elizabeth Cline’s three-year indictment of “fast fashion.” In the last decade or so, advances in technology have allowed mass-market labels such as Zara, H&M, and Uniqlo to react to trends more quickly and anticipate demand more precisely. Quicker turnarounds mean less wasted inventory, more frequent releases, and more profit. These labels encourage style-conscious consumers to see clothes as disposable—meant to last only a wash or two, although they don’t advertise that—and to renew their wardrobe every few weeks. By offering on-trend items at dirt-cheap prices, Cline argues, these brands have hijacked fashion cycles, shaking an industry long accustomed to a seasonal pace.   The victims of this revolution, of course, are not limited to designers. For H&M to offer a $ 5.95 knit miniskirt in all its 2,300-plus stores around the world, it must rely on low-wage overseas labor, order in volumes that strain natural resources, and use massive amounts of harmful chemicals.   Overdressed is the fashion world’s answer to consumer-activist bestsellers like Michael Pollan’s The Omnivore’s Dilemma. “Mass-produced clothing, like fast food, fills a hunger and need, yet is non-durable and wasteful,” Cline argues. A.mericans, she finds, buy roughly 20 billion garments a year—about 64 items per person—and no matter how much they give away, this excess leads to waste.   Towards the end of Overdressed, Cline introduced her ideal, a Brooklyn woman named Sarah Kate Beaumont, who since 2008 has made all of her own clothes—and beautifully. But as Cline is the first to note, it took Beaumont decades to perfect her craft; her example can’t be knocked off.   Though several fast-fashion companies have made efforts to curb their impact on labor and the environment—including H&M, with its green Conscious Collection line—Cline believes lasting change can only be effected by the customer. She exhibits the idealism common to many advocates of sustainability, be it in food or in energy. Vanity is a constant; people will only start shopping more sustainably when they can’t afford not to. Priestly criticizes her assistant for her ______.
A.lack of imagination.
B.poor bargaining skill.
C.obsession with high fashion.
D.insensitivity to fashion.

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