题目详情
当前位置:首页 > 职业培训考试
题目详情:
发布时间:2024-09-20 04:26:27

[单选题]Text 1 In the 2006 film version of The Devil Wears Prada,Miranda Priestly,played by Meryl Streep,scold her unattractive assistant for imagining that high fashion doesn’t affect her.Priestly explains how the deep blue color of the assistant’s sweater descended over the years from fashion shows to department stores and to the bargain bin in which the poor girl doubtless found her garment.This top-down conception of the fashion business couldn’t be more out of date or at odds with feverish world described in Overdressed,Elizabeth Cline’s three-year indictment of“fast fashion”.In the last decades or so,advances in technology have allowed mass-market labels such as Zara,H&M,and Uniqlo to react to trends more quickly and anticipate demand more precisely.Quckier turnrounds mean less wasted inventory,more frequent releases,and more profit.Those labels encourage style-conscious consumers to see clothes as disposal——meant to last only a wash or two,although they don’t advertise that——and to renew their wardrobe every few weeks.By offering on-trend items at dirt-cheap prices,Cline argues,these brands have hijacked fashion cycles,shaking all industry long accustomed to a seasonal pace.The victims of this revolution,of course,are not limited to designers.For H&M to offer a 5.95 knit miniskirt in all its 2300-plus stores around the world,it must rely on low-wage,overseas labor,order in volumes that strain natural resources,and use massive amount of harmful chemicals.Overdressed is the fashion world’s answer to consumer activist bestsellers like Michael Pollan’s The Omnivore’s Dilemma.Mass-produced clothing,like fast food,fills a hunger and need,yet is non-durable,and wasteful,”Cline argues,Americans,she finds,buy roughly 20 billion garments a year——about 64 items per person——and no matter how much they give away,this excess leads to waste.Towards the end of Overdressed,Cline introduced her ideal,a Brooklyn woman named SKB,who,since 2008 has make all of her own clothes——and beautifully.But as Cline is the first to note,it took Beaumont decades to perfect her craft;her example,can’t be knocked off.Though several fast-fashion companies have made efforts to curb their impact on labor and the environment——including H&M,with its green Conscious Collection Line——Cline believes lasting-change can only be effected by the customer.She exhibits the idealism common to many advocates of sustainability,be it in food or in energy.Vanity is a constant;people will only start shopping more sustainably when they can’t afford to it.25.What is the subject of the text?
A.Satire on an extravagant lifestyle.
B.Challenge to a high-fashion myth.
C.Criticism of the fast-fashion industry.
D.Exposure of a mass-market secret.

更多"[单选题]Text 1 In the 2006 film versio"的相关试题:

[单选题]Text 1 In the 2006 film version of The Devil Wears Prada,Miranda Priestly,played by Meryl Streep,scold her unattractive assistant for imagining that high fashion doesn’t affect her.Priestly explains how the deep blue color of the assistant’s sweater descended over the years from fashion shows to department stores and to the bargain bin in which the poor girl doubtless found her garment.This top-down conception of the fashion business couldn’t be more out of date or at odds with feverish world described in Overdressed,Elizabeth Cline’s three-year indictment of“fast fashion”.In the last decades or so,advances in technology have allowed mass-market labels such as Zara,H&M,and Uniqlo to react to trends more quickly and anticipate demand more precisely.Quckier turnrounds mean less wasted inventory,more frequent releases,and more profit.Those labels encourage style-conscious consumers to see clothes as disposal——meant to last only a wash or two,although they don’t advertise that——and to renew their wardrobe every few weeks.By offering on-trend items at dirt-cheap prices,Cline argues,these brands have hijacked fashion cycles,shaking all industry long accustomed to a seasonal pace.The victims of this revolution,of course,are not limited to designers.For H&M to offer a 5.95 knit miniskirt in all its 2300-plus stores around the world,it must rely on low-wage,overseas labor,order in volumes that strain natural resources,and use massive amount of harmful chemicals.Overdressed is the fashion world’s answer to consumer activist bestsellers like Michael Pollan’s The Omnivore’s Dilemma.Mass-produced clothing,like fast food,fills a hunger and need,yet is non-durable,and wasteful,”Cline argues,Americans,she finds,buy roughly 20 billion garments a year——about 64 items per person——and no matter how much they give away,this excess leads to waste.Towards the end of Overdressed,Cline introduced her ideal,a Brooklyn woman named SKB,who,since 2008 has make all of her own clothes——and beautifully.But as Cline is the first to note,it took Beaumont decades to perfect her craft;her example,can’t be knocked off.Though several fast-fashion companies have made efforts to curb their impact on labor and the environment——including H&M,with its green Conscious Collection Line——Cline believes lasting-change can only be effected by the customer.She exhibits the idealism common to many advocates of sustainability,be it in food or in energy.Vanity is a constant;people will only start shopping more sustainably when they can’t afford to it.24.Which of the following can be inferred from the lase paragraph?
A.Vanity has more often been found in idealists.
B.The fast-fashion industry ignores sustainability.
C.People are more interested in unaffordable garments.
D.Pricing is vital to environment-friendly purchasing.
[不定项选择题]In the 2006 film version of The Devil Wears Prada, Miranda Priestly, played by Meryl Streep, scolds her unattractive assistant for imagining that high fashion doesn’t affect her. Priestly explains how the deep blue color of the assistant’s sweater descended over the years from fashion shows to department stores and to the bargain bin in which the poor girl doubtless found her garment.   This top-down conception of the fashion business couldn’t be more out of date or at odds with the feverish world described in Overdressed, Elizabeth Cline’s three-year indictment of “fast fashion.” In the last decade or so, advances in technology have allowed mass-market labels such as Zara, H&M, and Uniqlo to react to trends more quickly and anticipate demand more precisely. Quicker turnarounds mean less wasted inventory, more frequent releases, and more profit. These labels encourage style-conscious consumers to see clothes as disposable—meant to last only a wash or two, although they don’t advertise that—and to renew their wardrobe every few weeks. By offering on-trend items at dirt-cheap prices, Cline argues, these brands have hijacked fashion cycles, shaking an industry long accustomed to a seasonal pace.   The victims of this revolution, of course, are not limited to designers. For H&M to offer a $ 5.95 knit miniskirt in all its 2,300-plus stores around the world, it must rely on low-wage overseas labor, order in volumes that strain natural resources, and use massive amounts of harmful chemicals.   Overdressed is the fashion world’s answer to consumer-activist bestsellers like Michael Pollan’s The Omnivore’s Dilemma. “Mass-produced clothing, like fast food, fills a hunger and need, yet is non-durable and wasteful,” Cline argues. A.mericans, she finds, buy roughly 20 billion garments a year—about 64 items per person—and no matter how much they give away, this excess leads to waste.   Towards the end of Overdressed, Cline introduced her ideal, a Brooklyn woman named Sarah Kate Beaumont, who since 2008 has made all of her own clothes—and beautifully. But as Cline is the first to note, it took Beaumont decades to perfect her craft; her example can’t be knocked off.   Though several fast-fashion companies have made efforts to curb their impact on labor and the environment—including H&M, with its green Conscious Collection line—Cline believes lasting change can only be effected by the customer. She exhibits the idealism common to many advocates of sustainability, be it in food or in energy. Vanity is a constant; people will only start shopping more sustainably when they can’t afford not to. What is the subject of the text?
A.Satire on an extravagant lifestyle.
B.Challenge to a high-fashion myth.
C.Criticism of the fast-fashion industry.
D.Exposure of a mass-market secret.
[单选题]Text 3 In the idealized version of how science is done,facts about the world are waiting to be observed and collected by objective researchers who use the scientific method to carry out their work.But in the everyday practice of science,discovery frequently follows an ambiguous and complicated route.We aim to be objective,but we cannot escape the context of our unique life experience.Prior knowledge and interest influence what we experience,what we think our experiences mean,and the subsequent actions we take.Opportunities for misinterpretation,error,and self-deception abound.Consequently,discovery claims should be thought of as protoscience.Similar to newly staked mining claims,they are full of potential.But it takes collective scrutiny and acceptance to transform a discovery claim into a mature discovery.This is the credibility process,through which the individual researcher’s me,here,now becomes the community’s anyone,anywhere,anytime.Objective knowledge is the goal,not the starting point.Once a discovery claim becomes public,the discoverer receives intellectual credit.But,unlike with mining claims,the community takes control of what happens next.Within the complex social structure of the scientific community,researchers make discoveries;editors and reviewers act as gatekeepers by controlling the publication process;other scientists use the new finding to suit their own purposes;and finally,the public(including other scientists)receives the new discovery and possibly accompanying technology.As a discovery claim works it through the community,the interaction and confrontation between shared and competing beliefs about the science and the technology involved transforms an individual’s discovery claim into the community’s credible discovery.Two paradoxes exist throughout this credibility process.First,scientific work tends to focus on some aspect of prevailing Knowledge that is viewed as incomplete or incorrect.Little reward accompanies duplication and confirmation of what is already known and believed.The goal is new-search,not re-search.Not surprisingly,newly published discovery claims and credible discoveries that appear to be important and convincing will always be open to challenge and potential modification or refutation by future researchers.Second,novelty itself frequently provokes disbelief.Nobel Laureate and physiologist Albert Azent-Gyorgyi once described discovery as“seeing what everybody has seen and thinking what nobody has thought.”But thinking what nobody else has thought and telling others what they have missed may not change their views.Sometimes years are required for truly novel discovery claims to be accepted and appreciated.In the end,credibility“happens”to a discovery claim–a process that corresponds to what philosopher Annette Baier has described as the commons of the mind.“We reason together,challenge,revise,and complete each other’s reasoning and each other’s conceptions of reason.”35.Which of the following would be the best title of the test?
A.Novelty as an Engine of Scientific Development.
B.Collective Scrutiny in Scientific Discovery.
C.Evolution of Credibility in Doing Science.
D.Challenge to Credibility at the Gate to Science.
[单选题]Text 4 As the nation experiences one of the worst flu seasons in years,thousands of Americans have already died from influenza,according to the U.S.Centers for Disease Control and Prevention.Though the season peaked in February,the CDC recently warned that we should prepare for a second wave of cases to hit before we emerge from the season entirely.Now,it appears more than 50,000 could die from the flu before the season ends.Perhaps most troubling is that this year marks a century since the deadliest viral outbreak in human history,which claimed the lives of 670,000 American men,women and children and as many as 50 to 100 million people worldwide.Among the lessons medical researchers gleaned from the catastrophic event is the critical importance of getting vaccinated.It's a lesson that much of the public continues to ignore,even as our scientific understanding of communicable diseases continues to grow.-The strain in tlus flu season,H3N2,is particularly nasty.It's similar to the HINl strain that set off the 1918 influenza pandemic,and it has resulted in high rates of death,particularly among the elderly.Researchers have struggled to create effective vaccines for the H3N2 strain;this year's flu vaccine is only about 36 percent effective at protecting against the virus,compared to an average of 45 percent over the past seven years.Nonetheless,it does provide some protection,and the unvaccinated are hit much harder without it.Earlier this year,a healthy young man from Pittsburgh did not get vaccinated and died soon afier getting the flu.While low vaccine efficacy means that those who get vaccinated can still contract the flu,it remains common sense and good civic behavior to get vaccinated.As a result of herd immunity,even low efficacy vaccines are enough to curb a pandemic from happening if vaccination rates are high.Flu vaccines did not exist during the pandemic of 1918,which is why it was so deadly.Yet year after year few Americans bother to get vaccinated.In economic terms,the herd immunity benefits of vaccination are a"public good."If I am vaccinated,I cannot exclude anyone from the herd immunity that I now offer.Similarly,someone enjoying my herd immunity does not diminish someone else's ability to enjoy my herd immunity.What typically happens when a public good like the flu vaccine is available is that many,perhaps most,people underinvest.They free ride off other people who get the vaccine.If too many people opt out of vaccination,communities become wlnerable to flu epidemics.According to the CDC,only 38 percent of the population chose to get vaccinated as ofNovember 2017.Low rates ofvaccination are particularly dangerous for children and the elderly,who are especially susceptible to influenza.As individuals,we have veU little control over the strain of the flu that emerges in a given year,or the efficacy of a vaccine,but we do have complete control over whether we get vaccinated.The public's response to a bad fiu outbreak or to low vaccine efficacy should be an increase in flu vaccinations,not a decrease.39.The author implies in the last paragraph that faced with a bad flu outbreak,
A.the public should try to enhance the efficacy of a vaccine.
B.effective vaccines should be used to control over it.
C.the public should make a quicker response to it.
D.emphasis should be laid more on vaccination than a vaccine efficacy.

我来回答:

购买搜题卡查看答案
[会员特权] 开通VIP, 查看 全部题目答案
[会员特权] 享免全部广告特权
推荐91天
¥36.8
¥80元
31天
¥20.8
¥40元
365天
¥88.8
¥188元
请选择支付方式
  • 微信支付
  • 支付宝支付
点击支付即表示同意并接受了《购买须知》
立即支付 系统将自动为您注册账号
请使用微信扫码支付

订单号:

截图扫码使用小程序[完全免费查看答案]
请不要关闭本页面,支付完成后请点击【支付完成】按钮
恭喜您,购买搜题卡成功
重要提示:请拍照或截图保存账号密码!
我要搜题网官网:https://www.woyaosouti.com
我已记住账号密码