[简答题](46) Many journalism critics have recently argued that American journalism is undergoing a profound change because it now regularly mixes entertainment with the news. Critics typically argue that this entertainment is in the form of sensationalistic celebrity-scandal. In fact, there is a long history of sensationalism in American journalism, a fact documented by several journalism historians. (47) But the main point of contemporary critics is that sensationalism and tabloid-style techniques, which were always present on the fringes of journalism, are now becoming the norm in American journalism, and are being adopted by so-called "mainstream" media as part of economic survival strategies in the cutthroat business climate of American mass media. These contemporary critics typically argue that there should be a rigid boundary between mainstream journalism and other kinds of mass communication such as tabloid journalism. (48) The critics imply that one kind of communicati

That Louise Nevelson is believed by many critics to be the greatest twentieth-century sculptor is all the more remarkable because the greatest resistance to women artists has been, until recently, in the field of sculpture. Since Neolithic times, sculpture has been considered the prerogative of men, partly, perhaps, for purely physical reasons: it was erroneously assumed that women were not suited for the hard manual labor required in sculpting stone, carving wood, or working in metal. It has been only during the twentieth century that women sculptors have been recognized as major artists, and it has been in the United States, especially since the decades of the fifties and sixties, that women sculptors have shown the greatest originality and creative power. Their rise to prominence parallels the development of sculpture itself in the United States: while there had been a few talented sculptors in the United States before the 1940’s, it was only after 1945 — when New
A. Architectural construction
B. Landscape
C. Modern city
D. Religion