更多"As with any work of art, the merit "的相关试题:
[单项选择]As with any work of art, the merit of Chapman Kelley’s "Wildflower Works I" was in the eye of the beholder.
Kelley, who normally works with paint and canvas, considered the twin oval gardens planted in 1984 at Daley Bicentennial Park his most important piece.
The Chicago Park District considered it a patch of raggedy vegetation on public property that could be dug up and replanted at will like the flower boxes along Michigan Avenue. And that’s what happened in June 2004, when the district decided to create a more orderly vista for pedestrians crossing from Millennium Park via the new Frank Gehry footbridge.
If you’re looking for evidence that the rubes who run the Park District don’t know art when they see it, all you have to do is visit what’s left of Kelley’s masterpiece. The exuberant 1.5-acre tangle of leggy wildflowers is now confined to a tidy rectangle, restrained on all sides by a knee-high hedge and surrounded by a closely cropped lawn. White
A. audience
B. witness
C. observer
D. holder
[单项选择]Shanna: Owners of any work of art, simply by virtue of ownership, ethically have the right to destroy that artwork if they find it morally or aesthetically distasteful, or if caring for it becomes inconvenient.
Jorge: Ownership of unique artworks, unlike ownership of other kinds of objects carries the moral right to possess but not to destroy. A unique work of art with aesthetic or historical value belongs to posterity and so must be preserved, whatever the personal wishes of its legal owner.
On the basis of their statements, Shanna and Jorge are committed to disagreeing about the truth of which one of the following statements
A. Anyone who owns a portrait presenting his or her father in an unflattering light would for that reason alone be ethically justified in destroying it.
B. People who own aesthetically valuable works of art have no moral obligation to make them available for public viewing.
C. Valuable paintings by well-known artists are seldom intentionally damaged or destroyed by their owners.
D. If a piece of sculpture is not unique, its owner has no ethical obligation to preserve it if doing so proves burdensome.
E. (E) It is legally permissible for a unique and historically valuable mural to be destroyed by its owner if he or she tires of it.
[填空题]They were desperate for work, any work, which would help them to__________________(维持一家人的生活).
[单项选择]How did Cornell work on his art at the begin-ning
A. He spent all the time working on it.
B. He worked on it at night and slept during the day.
C. He put the objects inside the boxes.
D. He collected and rearranged pictures.
[单项选择]What did Cornell do before making his work of art
A. He explored the night life of New York.
B. He collected used boxes from the streets.
C. He joined many art-related activities.
D. He organized an artistic group.
[单项选择]The novel, which is a work of art, exists not by its（）life, but by its immeasurable difference from life
A. significance in
B. imagination at
C. resemblance to
D. predominance over
[简答题]Part 2 & Part 3A statue or work or art you have seen. (an oil painting or sculpture)
What can you learn from western paintings
What is the difference between Chinese painting and Western oil painting
What form of visual art is popular in your country
Do you think people should be able to see the exhibitions for free
[简答题]To be labelled a ’Work of Art’, a painting, sculpture or other art form should display certain qualities that are unique. However, over the past century there has been a decline in the quality of prize-winning artwork and it is now possible for quite ordinary pieces of art to be labelled ’masterpieces’ whilst true works of art pass unnoticed.
Do you agree or disagree Give reasons for your answer.
You should write at least 250 words.
You should use your own ideas, knowledge and experience and support your arguments with examples and relevant evidence.
[多项选择]A piece of art or work
