As with any work of art, the merit of Chapman Kelley’s "Wildflower Works I" was in the eye of the beholder.
Kelley, who normally works with paint and canvas, considered the twin oval gardens planted in 1984 at Daley Bicentennial Park his most important piece.
The Chicago Park District considered it a patch of raggedy vegetation on public property that could be dug up and replanted at will like the flower boxes along Michigan Avenue. And that’s what happened in June 2004, when the district decided to create a more orderly vista for pedestrians crossing from Millennium Park via the new Frank Gehry footbridge.
If you’re looking for evidence that the rubes who run the Park District don’t know art when they see it, all you have to do is visit what’s left of Kelley’s masterpiece. The exuberant 1.5-acre tangle of leggy wildflowers is now confined to a tidy rectangle, restrained on all sides by a knee-high hedge and su
A. paid little attention to "Wildflower Works I"
B. appreciated the value of "Wildflower Works I"
C. tolerated the ugliness of "Wildflower Works I"
D. had their own views on "Wildflower Works I/
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