[单项选择]Shanna: Owners of any work of art, simply by virtue of ownership, ethically have the right to destroy that artwork if they find it morally or aesthetically distasteful, or if caring for it becomes inconvenient.
Jorge: Ownership of unique artworks, unlike ownership of other kinds of objects carries the moral right to possess but not to destroy. A unique work of art with aesthetic or historical value belongs to posterity and so must be preserved, whatever the personal wishes of its legal owner.
On the basis of their statements, Shanna and Jorge are committed to disagreeing about the truth of which one of the following statements
A. Anyone who owns a portrait presenting his or her father in an unflattering light would for that reason alone be ethically justified in destroying it.
B. People who own aesthetically valuable works of art have no moral obligation to make them available for public viewing.
C. Valuable paintings by well-known artists are seldom intentionally damaged or destroyed by their owners.
D. If a piece of sculpture is not unique, its owner has no ethical obligation to preserve it if doing so proves burdensome.
E. (E) It is legally permissible for a unique and historically valuable mural to be destroyed by its owner if he or she tires of it.

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[单项选择]As with any work of art, the merit of Chapman Kelley’s "Wildflower Works I" was in the eye of the beholder.
Kelley, who normally works with paint and canvas, considered the twin oval gardens planted in 1984 at Daley Bicentennial Park his most important piece.
The Chicago Park District considered it a patch of raggedy vegetation on public property that could be dug up and replanted at will like the flower boxes along Michigan Avenue. And that’s what happened in June 2004, when the district decided to create a more orderly vista for pedestrians crossing from Millennium Park via the new Frank Gehry footbridge.
If you’re looking for evidence that the rubes who run the Park District don’t know art when they see it, all you have to do is visit what’s left of Kelley’s masterpiece. The exuberant 1.5-acre tangle of leggy wildflowers is now confined to a tidy rectangle, restrained on all sides by a knee-high hedge and surrounded by a closely cropped lawn. White
A. paid little attention to "Wildflower Works I"
B. appreciated the value of "Wildflower Works I"
C. tolerated the ugliness of "Wildflower Works I"
D. had their own views on "Wildflower Works I"

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[单项选择]What did Cornell do before making his work of art
A. He explored the night life of New York.
B. He collected used boxes from the streets.
C. He joined many art-related activities.
D. He organized an artistic group.

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