[单选题]But not all pretended deeds have to fallshort of their normal function in order to ______ their communication purpose.
A.serve
B.succeed
C.complete
D.accomplish

[单选题]But not all pretended deeds have to fall short of their normal function in order to ____________ their communication purpose.
A.serve
B.succeed
C.complete
D.accomplish

[单选题]More psychologists have found that all caregivers share a common characteristic:All caregivers believe that they are the best people for the job.In other words,they all felt that they could do the job better than anyone else.Social workers______caregivers to find out why they took on the responsibility of caring for an eldery,dependent relative.
A.questioned
B.interviewed
C.inquired
D.interrogated

[单选题]People all over the country have made the greatest possible endeavor to help the people in the flood-stricken area.
A.debut
B.experiment
C.miracle
D.effort

[单选题]They all agreed that the changes that have taken place are substantial.
A.significant
B.superficial
C.inadequate
D.inevitable

[单选题]Text 1 Of all the changes that have taken place in English-language newspapers during the past quarter-century,perhaps the most far-reaching has been the inexorable decline in the scope and seriousness of their arts coverage.It is difficult to the point of impossibility for the average reader under the age of forty to imagine a time when high-quality arts criticism could be found in most big-city newspapers.Yet a considerable number of the most significant collections of criticism published in the 20th century consisted in large part of newspaper reviews.To read such books today is to marvel at the fact that their learned contents were once deemed suitable for publication in general-circulation dailies.We are even farther removed from the unfocused newspaper reviews published in England between the turn of the 20th century and the eve of World War II,at a time when newsprint was dirt-cheap and stylish arts criticism was considered an ornament to the publications in which it appeared.In those far-off days,it was taken for granted that the critics of major papers would write in detail and at length about the events they covered.Theirs was a serious business,and even those reviewers who wore their learning lightly,like George Bernard Shaw and Ernest Newman,could be trusted to know what they were about.These men believed in journalism as a calling,and were proud to be published in the daily press.“So few authors have brains enough or literary gift enough to keep their own end up in journalism,”Newman wrote,“that I am tempted to define‘journalism’as‘a term of contempt applied by writers who are not read to writers who are.’”Unfortunately,these critics are virtually forgotten.Neville Cardus,who wrote for the Manchester Guardian from 1917 until shortly before his death in 1975,is now known solely as a writer of essays on the game of cricket.During his lifetime,though,he was also one of England’s foremost classical-music critics,a stylist so widely admired that his Autobiography（1947）became a best-seller.He was knighted in 1967,the first music critic to be so honored.Yet only one of his books is now in print,and his vast body of writings on music is unknown save to specialists.Is there any chance that Cardus’s criticism will enjoy a revival?The prospect seems remote.Journalistic tastes had changed long before his death,and postmodern readers have little use for the richly upholstered Vicwardian prose in which he specialized.Moreover,the amateur tradition in music criticism has been in headlong retreat.25.What would be the best title for the text?
A.Newspapers of the Good Old Days
B.The Lost Horizon in Newspapers
C.Mournful Decline of Journalism
D.Prominent Critics in Memory

[不定项选择题]Of all the changes that have taken place in English-language newspapers during the past quarter-century, perhaps the most far-reaching has been the inexorable decline in the scope and seriousness of their arts coverage. It is difficult to the point of impossibility for the average reader under the age of forty to imagine a time when high-quality arts criticism could be found in most big-city newspapers. Yet a considerable number of the most significant collections of criticism published in the 20th century consisted in large part of newspaper reviews. To read such books today is to marvel at the fact that their learned contents were once deemed suitable for publication in general-circulation dailies. We are even farther removed from the unfocused newspaper reviews published in England between the turn of the 20th century and the eve of World War II, at a time when newsprint was dirt-cheap and stylish arts criticism was considered an ornament to the publications in which it appeared． In those far-off days, it was taken for granted that the critics of major papers would write in detail and at length about the events they covered．Theirs was a serious business, and even those reviewers who wore their learning lightly, like George Bernard Shaw and Ernest Newman, could be trusted to know what they were about. These men believed in journalism as a calling, and were proud to be published in the daily press. "So few authors have brains enough or literary gift enough to keep their own end up in journalism," Newman wrote, "that I am tempted to define 'journalism' as a term of contempt applied by writers who are not read to writers who are." Unfortunately, these critics are virtually forgotten. Neville Cardus, who wrote for the Manchester Guardian from 1917 until shortly before his death in 1975, is now known solely as a writer of essays on the game of cricket. During his lifetime, though, he was also one of England's foremost classical-music critics, a stylist so widely admired that his Autobiography (1947) became a best-seller. He was knighted in 1967, the first music critic to be so honored． Yet only one of his books is now in print, and his vast body of writings on music is unknown save to specialists. Is there any chance that Cardus's criticism will enjoy a revival? The prospect seems remote. Journalistic tastes had changed long before his death, and postmodern readers have little use for the richly upholstered Vicwardian prose in which he specialized． Moreover, the amateur tradition in music criticism has been in headlong retreat. What would be the best title for the text?
A.Newspapers of the Good Old Days
B.The Lost Horizon in Newspapers
C.Mournful Decline of Journalism
D.Prominent Critics in Memory

[不定项选择题]共用题干 Have You Filled up the Form?

Of all things in the world,I most dislike filling up forms;in fact,I have a________(51)horror of it. Applying for a driving license,________(52)for an evening course,booking a holiday abroad一everything nowadays seem to involve________(53)information about one's personal life and habits that has little or nothing to do with the matter________(54)hand.When applying for a job,it may be________(55)some obscure interest to a________(56)employer to learn that I collect stamp or had measles as a child,but why should he conceivably want to know that my father was a tobacconist who died in 1988?
The authorities who________(57)one to fill up forms,frequently demand answers to questions that one would hesitate to put________(58)one's intimate friends.The worst of it is that, when________(59)with such questions,my mind goes blank.Have I ever suffered from a serious illness?My mother always assured me I was"delicate".Do I suffer from any personal defects? Well,I wear contact lenses and my upper teeth are not my own,but perhaps the word"defects"________(60)to my character. Am I supposed to________(61)that I like gambling,and find it difficult to get up in the morning?Both of them are true.
Of all,I think job applications are the worst,education,previous experience,post held,give
________(62)…Terrified by the awful warning about giving false________(63)which appear at
the bottom of the form,I struggle to remember what exams I passed and how long I worked for what firms.________(64)hard I try,there always seems to be a year or two for which I cannot satisfactorily account and which I am certain,if left________(65),will give the impression that I was in prison or engaged in some occupation too dubious to mention. _________(65)
A.vacant
B.empty
C.blank
D.unwritten