[单项选择]Stupendous prices were paid in a historic sale of 19th- and 20th-century avant-garde paintings collected over a lifetime by John Hay Whitney and his wife, Betsy Cushing Whitney.
Picasso’s "Garcon à la Pipe" (Boy With a Pipe), painted in 1905, shot up to $104.1 million at Sotheby’s during a protracted bidding match over the telephone. That is nearly twice the previous record for the artist: the $55 million paid for "La Femme aux Bras Croisés" at Christie’s New York in November 2000.
The huge figure reflects the double iconic value that the portrait derived from its mastery and from the aura of its owners, the very patrician Whitneys. The portrait is perhaps the artist’s ultimate achievement. Constantly hailed as the giant of modem art, Picasso was probably at his greatest when working under the spell of Old Masters. The rigorous composition, the color balance and the profound psychological probe of the young sitter place the likeness in a category that begins with Italian Rena
A. the third is a subcategory of the second.
B. the third is the logical cause of the second.
C. the second generalizes and the third gives examples.
D. both present the value of Picasso’s paintings.

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[单项选择]Stupendous prices were paid in a historic sale of 19th- and 20th-century avant-garde paintings collected over a lifetime by John Hay Whitney and his wife, Betsy Cushing Whitney,
Picasso’s "Garcon à la Pipe" (Boy With a Pipe), painted in 1905, shot up to $104.1 million at Sotheby’s during a protracted bidding match over the telephone. That is nearly twice the previous record for the artist: the $55 million paid for "La Femme aux Bras Croisés" at Christie’s New York in November 2000.
The huge figure reflects the double iconic value that the portrait derived from its mastery and from the aura of its owners, the very patrician Whitneys. The portrait is perhaps the artist’s ultimate achievement. Constantly hailed as the giant of modem art, Picasso was probably at his greatest when working under the spell of Old Masters. The rigorous composition, the color balance and the profound psychological probe of the young sitter place the likeness in a category that begins with Italian Rena
A. the third is a subcategory of the second.
B. the third is the logical cause of the second.
C. the second generalizes and the third gives examples.
D. both present the value of Picasso’s paintings.

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