[单项选择]Notable’ as important nineteenth-century novels by women, Mary Shelley’s Frankenstein and Emily Bronte’s Wuthering Heights treat women very differently. Shelley produced a "masculine" text in which the fates of subordinate female characters seem entirely dependent on the actions of male heroes or anti-heroes. Bronte produced a more realistic narrative portraying a world where men battle for the favors of apparently high-spirited, independent women. Nevertheless, these two novels are alike in several crucial ways. Many readers are convinced that the compelling mysteries of each plot conceal elaborate structures of allusion and fierce, though shadowy, moral ambitions that seem to indicate metaphysical intentions, though efforts by critics to articulate these intentions have generated much controversy. Both novelists use a storytelling method that emphasizes ironic disjunctions between different perspectives on the same events as well as ironic tensions that inhere in the relationship bet
A. defend a controversial interpretation of two novels
B. explain the source of widely recognized responses to two novels
C. delineate broad differences between two novels
D. compare and contrast two novels

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[单项选择]Notable’ as important nineteenth-century novels by women, Mary Shelley’s Frankenstein and Emily Bronte’s Wuthering Heights treat women very differently. Shelley produced a "masculine" text in which the fates of subordinate female characters seem entirely dependent on the actions of male heroes or anti-heroes. Bronte produced a more realistic narrative portraying a world where men battle for the favors of apparently high-spirited, independent women. Nevertheless, these two novels are alike in several crucial ways. Many readers are convinced that the compelling mysteries of each plot conceal elaborate structures of allusion and fierce, though shadowy, moral ambitions that seem to indicate metaphysical intentions, though efforts by critics to articulate these intentions have generated much controversy. Both novelists use a storytelling method that emphasizes ironic disjunctions between different perspectives on the same events as well as ironic tensions that inhere in the relationship bet
A. method of disguising the author’s real purposes
B. controversial effect on readers
C. portrayal of men as determiners of the novel’s action
D. use of multiple narrators

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[单项选择]Passage Three

Notable’ as important nineteenth-century novels by women, Mary Shelley’s Frankenstein and Emily Bronte’s Wuthering Heights treat women very differently. Shelley produced a "masculine" text in which the fates of subordinate female characters seem entirely dependent on the actions of male heroes or anti-heroes. Bronte produced a more realistic narrative portraying a world where men battle for the favors of apparently high-spirited, independent women. Nevertheless, these two novels are alike in several crucial ways. Many readers are convinced that the compelling mysteries of each plot conceal elaborate structures of allusion and fierce, though shadowy, moral ambitions that seem to indicate metaphysical intentions, though efforts by critics to articulate these intentions have generated much controversy. Both novelists use a storytelli
A. defend a controversial interpretation of two novels
B. explain the source of widely recognized responses to two novels
C. delineate broad differences between two novels
D. compare and contrast two novels

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Notable’ as important nineteenth-century novels by women, Mary Shelley’s Frankenstein and Emily Bronte’s Wuthering Heights treat women very differently. Shelley produced a "masculine" text in which the fates of subordinate female characters seem entirely dependent on the actions of male heroes or anti-heroes. Bronte produced a more realistic narrative portraying a world where men battle for the favors of apparently high-spirited, independent women. Nevertheless, these two novels are alike in several crucial ways. Many readers are convinced that the compelling mysteries of each plot conceal elaborate structures of allusion and fierce, though shadowy, moral ambitions that seem to indicate metaphysical intentions, though efforts by critics to articulate these intentions have generated much controversy. Both novelists use a storytelling method that emphasizes ironic disjunctions between different perspectives on the same events as well as ironic tensions t
A. defend a controversial interpretation of two novels
B. explain the source of widely recognized responses to two novels
C. delineate broad differences between two novels
D. compare and contrast two novels

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[单项选择]Thomas Hardy wrote the following novels EXCEPT

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James’s first novels used conventional narrative techniques: explicit characterization, action which related events in distinctly phased sequences, settings firmly outlined and specifically described. But this method gradually gave way to a subtler, more deliberate, more diffuse style of accumulation of minutely discriminated details whose total significance the reader can grasp only by constant attention and sensitive inference. His later novels play down scenes of abrupt and prominent action, and do not so much offer a succession of sharp shocks as slow piecemeal additions of perception. The curtain is not suddenly drawn back from shrouded things, but is slowly moved away.
Such a technique is suited to James’s essential subject, which is not human action itself but the states of mind which produce and are produced by human actions and interactions. Jam
A. Conventional Narrative Techniques
B. The Psychological Novel
C. Evolution of Manner from Matter
D. Drawing Back the Curtain

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[单项选择]Daniel Defoe’s novels mainly focus on
A. the struggle of the unfortunate for mere existence.
B. the struggle of the shipwrecked persons for security.
C. the struggle of the pirates for wealth.
D. the desire of the criminals for property.

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[单项选择]Where does he often borrow English novels from
A. From his friend.
B. From his teacher.
C. From the school library.

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