[单项选择]

Modern Japan, despite its ready adoption of Western manners, is in things theatrical still faithful to the ancient feudal day. It is true that within the last few years, the old school drama has to some extent lost ground, and quite recently performances of Shakespeare’s Othello and Hamlet, and Daudet’s Sappho have been received with favor by Tokyo audiences.
The explanation of this curious survival of the old form of play, at a time when all Japan is eagerly imitating the foreigner, is undoubtedly to be found in the peculiar customs of the country. The progressive Japanese finds it easier to change his mode of dress than to reform habits bred in the bone. The old plays, lasting, as they formerly did, from early morning until nearly midnight, just suited the Japanese play-goer, who, when he does go to the theatre, makes an all-day affair of it. Indeed, theatre-going in Japan is a very serious matter, and not to be entered upon lightly or without due preparatio
A. favors Shakespeare’s masterpieces
B. enjoys Japanese old school drama
C. appreciates Western classic theatre
D. likes performances of foreign styles

[单项选择]

Modern Japan, despite its ready adoption of Western manners, is in things theatrical still faithful to the ancient feudal day. It is true that within the last few years, the old school drama has to some extent lost ground, and quite recently performances of Shakespeare’s Othello and Hamlet, and Daudet’s Sappho have been received with favor by Tokyo audiences.
The explanation of this curious survival of the old form of play, at a time when all Japan is eagerly imitating the foreigner, is undoubtedly to be found in the peculiar customs of the country. The progressive Japanese finds it easier to change his mode of dress than to reform habits bred in the bone. The old plays, lasting, as they formerly did, from early morning until nearly midnight, just suited the Japanese play-goer, who, when he does go to the theatre, makes an all-day affair of it. Indeed, theatre-going in Japan is a very serious matter, and not to be entered upon lightly or without due preparatio
A. making progressive changes in life
B. enjoying dressing in the latest fashion
C. spending all day watching a drama
D. wearing formal clothes at the theatre

[单项选择]Passage Two Modern Japan, despite its ready adoption of Western manners, is in things theatrical still faithful to the ancient feudal day. It is true that within the last few years, the old school drama has to some extent lost ground, and quite recently performances of Shakespeare’s Othello and Hamlet, and Daudet’s Sappho have been received with favor by Tokyo audiences. The explanation of this curious survival of the old form of play, at a time when all Japan is eagerly imitating the foreigner, is undoubtedly to be found in the peculiar customs of the country. The progressive Japanese finds it easier to change his mode of dress than to reform habits bred in the bone. The old plays, lasting, as they formerly did, from early morning until nearly midnight, just suited the Japanese play-goer, who, when he does go to the theatre, makes an all-day affair of it. Indeed, theatre-going in Japan is a very serious matter, and not to be entered upon lightly or without due preparatio
A. favors Shakespeare’s masterpieces
B. enjoys Japanese old school drama
C. appreciates Western classic theatre
D. likes performances of foreign styles

[单项选择]Japan says its prime minister promised to provide the world with "maximum transparency" about _ accident at the Fukushima nuclear power plant during （　） telephone call.
A. the; a
B. the; the
C. an; the
D. an; a

[填空题]Private schools in Japan are more modern and spacious than state-run lower secondary schools.

[填空题]One reason that Japan has been able to weather its long-term financial distress is that______.

[单项选择]In its modern form the concept of "literature" die not emerge earlier than eighteenth century and was not fully developed until the nineteenth century. Yet he conditions for its emergence had been developing since the Renaissance. The word itself came into English use in the fourteenth century, following French and Latin precedents; its root was Latin litter, a letter of the alphabet. Litterature, in the common early spelling, was then in effect a condition of reading: of being able to read and of having read. It was often close to the sense of modern literacy, which was not in the language until the late nineteenth century, its introduction in part made necessary b the movement of literature to a different sense. The normal adjective associated with literature was literate. Literary appeared in the sense of reading ability and experience in the seventeenth century, and did not acquire its specialized modern meaning until the eighteenth century.
Literature as a new category was
A. In the seventeenth century.
B. In the eighteenth century.
C. In the nineteenth century.
D. In the twentieth century.