Forget what Virginia Woolf said about
what a writer needs--a room of one’s own. The writer she has in mind wasn’t at
work on a novel in cyberspaee, one with multiple hypertexts, animated graphics
and downloads of trance, charming music. For that you also need graphic
interfaces, Real Player and maybe even a computer laboratory at Brown
University. That was where Mark Amerika--his legally adopted name; don’t ask him
about his birth name--composed much of his novel Gramatron. But Grammatron isn’t
just a story. It’s an online narrative (gramatron. com) that uses the
capabilities of cyberspace to tie the conventional story line into complicated
knots. In the four years it took to produce-it was completed in 1997-each new
advance in computer software became another potential story device. "I became
sort of dependent on the industry," jokes A. he could not help but set his Gramatron and others in Industrial Revolution B. conventional writers had been increasingly challenged by high technology C. much of his Gramatron had proved to be cybernetic dependent D. he couldn’t care less new advance in computer software
更多"Passage 3
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[单项选择] Passage 3
Forget what Virginia Woolf said about
what a writer needs--a room of one’s own. The writer she has in mind wasn’t at
work on a novel in cyberspaee, one with multiple hypertexts, animated graphics
and downloads of trance, charming music. For that you also need graphic
interfaces, Real Player and maybe even a computer laboratory at Brown
University. That was where Mark Amerika--his legally adopted name; don’t ask him
about his birth name--composed much of his novel Gramatron. But Grammatron isn’t
just a story. It’s an online narrative (gramatron. com) that uses the
capabilities of cyberspace to tie the conventional story line into complicated
knots. In the four years it took to produce-it was completed in 1997-each new
advance in computer software became another potential story device. "I became
sort of dependent on the industry," jokes A. differences between conventional and modern novels B. how Mark Amerika composed his novel Gramatron C. common features of all modern electronic novels D. why Mark Amerika took on a new way of writing
[单项选择] Passage Three
Forget what Virginia Woolf said about
What a writer needs-a room of one’s own. The writer she had in mind wasn’t at
work on a novel in cyberspace, one with multiple hypertexts, animated graphics
and downloads of trancey, chiming music. For that you also need graphic
interfaces, ReslPlayer and maybe even a computer laboratory at Brown University.
That was where Mark Amerika—his legally adopted name; don’t ask him about his
birth name-composed much of his novel Grammatron. But Grammatron isn’t just a
story. It’s an online narrative (grammatron. com) that uses the capabilities of
cyberspace to tie the conventional story line into complicated knots. In the
four years it took to produce—it was completed in 1997—each new advance in
computer software became another potential story device. "I became sort of
dependent on the industry", jok A. differences between conventional and modern novels B. how Mark Amerika composed his novel Grammatron C. common features of all modern electronic novels D. why Mark Amerika took on a new way of writing
[单项选择]Forget what Virginia Woolf said about what a writer needs--a room of one’s own. The writer she has in mind wasn’t at work on a novel in cyberspaee, one with multiple hypertexts, animated graphics and downloads of trance, charming music. For that you also need graphic interfaces, Real Player and maybe even a computer laboratory at Brown University. That was where Mark Amerika--his legally adopted name; don’t ask him about his birth name--composed much of his novel Gramatron. But Grammatron isn’t just a story. It’s an online narrative (gramatron. com) that uses the capabilities of cyberspace to tie the conventional story line into complicated knots. In the four years it took to produce-it was completed in 1997-each new advance in computer software became another potential story device. "I became sort of dependent on the industry," jokes Amerika, who is also the author of two novels printed on paper. "That’s unusual for a writer, because if you just write on paper the ’technology’ is pret A. differences between conventional and modern novels B. how Mark Amerika composed his novel Gramatron C. common features of all modern electronic novels D. why Mark Amerika took on a new way of writing
[简答题]What we forget—what our economy depends on us forgetting—is that happiness is more than pleasure without pain. The things that bring the greatest joy carry the greatest potential for loss the disappointment. Today, surrounded by promises of easy happiness, we need someone to tell us that it is ok not to be happy, that sadness makes happiness deeper. As the wine-connoisseur movie Sideways tells us, it is the kiss of decay and mortality that makes grape juice into Pinot Noir. We need art to tell us, as religion once did, Memento mori: remember that you will die, that everything ends, and that happiness comes not in denying this but in living with it. It’s a message even more bitter than a clove cigarette, yet somehow, a breath of fresh air.
[填空题]Tony: Hey, I just want to apologize for what I said the other day.
Tim: ______. You know we’re good friends.
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