[单项选择]"Visual Music" is a fine-tuned, highly diverting, deceptively radical exhibition about the relationship of music and modem art, lately arrived here at the Hirshhorn Museum. In its hippy-trippy way, it rewrites a crucial chapter of history.
Its subtitle is "Synaesthesia in Art and Music Since 1900." Aristotle formulated the idea that each of the five senses -- smell, taste, touch, hearing and sight -- had its own proper and distinct sphere of activity. There were overlaps, he said (movement pertained both to sight and touch); and he speculated that the mysteries of color harmony might have something to do with musical harmony, an idea that would resonate for centuries. Musical harmony, as an expression of geometry, was thought to be useful to the study of art and architecture from the Renaissance on. But the notion that there was an essential separation among the sensual spheres persisted into the early 19th century. At the same time reports began to emerge of rare people who said
A. It means that people may appreciate two kinds of beauty at the same time.
B. It means that people may enjoy beauty with all senses at the same time.
C. It holds that different spheres of senses may overlap.
D. It is thoroughly studied by modem scienc

[单项选择]"Visual Music" is a fine-tuned, highly diverting, deceptively radical exhibition about the relationship of music and modem art, lately arrived here at the Hirshhorn Museum. In its hippy-trippy way, it rewrites a crucial chapter of history.
Its subtitle is "Synaesthesia in Art and Music Since 1900." Aristotle formulated the idea that each of the five senses -- smell, taste, touch, hearing and sight -- had its own proper and distinct sphere of activity. There were overlaps, he said (movement pertained both to sight and touch); and he speculated that the mysteries of color harmony might have something to do with musical harmony, an idea that would resonate for centuries. Musical harmony, as an expression of geometry, was thought to be useful to the study of art and architecture from the Renaissance on. But the notion that there was an essential separation among the sensual spheres persisted into the early 19th century. At the same time reports began to emerge of rare people who said
A. It is derived from the theory of Aristotle.
B. There are people who claimed to had experienced it.
C. The idea influenced European arts greatly, especially after Renaissance.
D. The idea, although proved to be true in modern times, was not useful in the past.

[单项选择]
"Visual Music" is a fine-tuned, highly diverting, deceptively radical exhibition about the relationship of music and modern art, lately arrived here at the Hirshhorn Museum. In its hippy-trippy way, it rewrites a crucial chapter of history.
Its subtitle is "Synaesthesia in Art and Music Since 1900." Aristotle formulated the idea that each of the five senses—smell, taste, touch, hearing and sight—had its own proper and distinct sphere of activity. There were overlaps, he said (movement pertained both to sight and touch); and he speculated that the mysteries of color harmony might have something to do with musical harmony, an idea that would resonate for centuries. Musical harmony, as an expression of geometry, was thought to be useful to the study of art and architecture from the Renaissance on. But-the notion that there was an essential separation among the sensual spheres persisted into the early 19th cent
A. It means that people may appreciate two kinds of beauty at the same time.
B. It means that people may enjoy beauty with all senses at the same time.
C. It holds that different spheres of senses may overlap.
D. It is thoroughly studied by modem science.

[单项选择]