Traditionally, the study of history has
had fixed boundaries and focal points—periods, countries, dramatic events, and
great leaders. It also has had clear and firm notions of scholarly procedure.,
how one inquires into a historical problem, how one presents and documents one’s
findings, what constitutes admissible and adequate proof. Anyone
who has followed recent historical literature can testify to the revolution that
is taking place in historical studies. The currently fashionable subjects come
directly from the sociology catalog: childhood, work, leisure. The new subjects
are accompanied by new methods. Where history once was primarily narrative, it
is now entirely analytic. The old questions "What happened " and "How did it
happen " have given way to the question "Why did it happen " Prominent amon A. The approach of psychohistorians to historical study is currently in vogue even though it lacks the rigor and verifiability of traditional historical method. B. Traditional historians can benefit from studying the techniques and findings of psychoistorians. C. Areas of sociological study such as childhood and work are of little interest to traditional historians. D. The psychological assessment of an individual’s behavior and attitudes is more informative than the details of his or her daily life.
更多"{{B}}TEXT D{{/B}}
Tradi"的相关试题:
[单项选择] {{B}}TEXT D{{/B}}
Traditionally, the study of history has
had fixed boundaries and focal points—periods, countries, dramatic events, and
great leaders. It also has had clear and firm notions of scholarly procedure.,
how one inquires into a historical problem, how one presents and documents one’s
findings, what constitutes admissible and adequate proof. Anyone
who has followed recent historical literature can testify to the revolution that
is taking place in historical studies. The currently fashionable subjects come
directly from the sociology catalog: childhood, work, leisure. The new subjects
are accompanied by new methods. Where history once was primarily narrative, it
is now entirely analytic. The old questions "What happened " and "How did it
happen " have given way to the question "Why did it happen " Prominent amon A. presenting their material in chronological order B. producing a one-sided picture of an individual’s personality and motivations C. uncovering alternative explanations that might cause them to question their own conclusions D. offering a consistent interpretation of the impact of personality on historical events
[单项选择] Text 4
Washington, DC has traditionally been
an unbalanced city when it comes to the life of the mind. It has great national
monuments, from the Smithsonian museums to the Library of Congress. But
day-to-day cultural life can be thin. It attracts some of the country’s best
brains. But far too much of the city’s intellectual life is devoted to the
minutiae of the political process. Dinner table conversation can all too easily
turn to budget reconciliation or social security. This is
changing. On October 1st the Shakespeare Theatre Company opened a 775-seat new
theatre in the heart of downtown. Sidney Harman hall not only provides a new
stage for a theatre company that has hitherto had to make do with the 450-seat
Lansburgh Theatre around the corner. It will also provide a platform for many
smaller arts companies. The fact that so many of A. a person who whistles to express cheerfulness. B. a person who is the first to break silence. C. a person who tells about certain secrets. D. a person who whistles to give warnings.
[单项选择]{{B}}TEXT D{{/B}}
Roger Rosenblatt’s book Black Fiction,
in attempting to apply literary rather than sociopolitical criteria to its
subject, successfully alters the approach taken by most previous studies. As
Rosenblatt notes, criticism of Black writing has often served as an excuse for
expounding on Black history. Addison Gayle’s recent work, for example, judges
the value of Black fiction by overtly political standards, faring each work
according to the notions of Black identity which it put forward.
Although fiction assuredly springs from political circumstances, its
authors react to those circumstances in ways other than ideological, and talking
about novels and stories .primarily as instruments of ideology limits much of
the fictional enterprise. Rosenblatt’s literary analysis discloses relations and
connotations among works of Black ficti A. disapproving B. consenting C. objective D. cautious
[填空题]Traditionally, it’s believed that the author is______.
[单项选择]{{B}}TEXT B{{/B}}
Roger Rosenblatt’s book Black Fiction,
in attempting to apply literary rather than sociopolitical criteria to its
subject, successfully alters the approach taken by most previous studies. As
Rosenblatt notes, criticism of Black writing has often served as a pretext for
illustrating Black history. Addison Gayle’s recent work, for instance, judges
the value of Black fiction by overtly political standards, rating each work
according to the notions of Black identity that it propounds.
Although fiction assuredly springs from political circumstances, its
authors react to those circumstances in ways other than ideological, and talking
about novels and stories primarily as instruments of ideology avoids cleverly
much of the fictional enterprise. Rosenblatt’s literary analysis discloses ties
and connections among works of Black fictio A. emphasizes purely literary aspect of such fiction B. misinterprets the ideological content of such fiction C. misunderstands the notions of Black identity contained in such fiction D. substitutes political for literary criteria in evaluating such fiction
[单项选择] {{B}}TEXT D{{/B}} Given Shakespeare’s
popularity as an actor and a playwright and his conspicuous financial success,
it was not surprising that jealous rivals began to snipe at his work. In later
centuries, a common charge was that Shakespeare did not invent many of his plots
but took his basic stories from well-known English history and old legends
instead. It is quite true that these sources have been used by
many English dramatists. But what Shakespeare did to the common facts is wholly
remarkable: he invented new characters, transformed old ones, created a gallery
of kings, maidens, courtiers, warriors and clowns of startling psychological
depth. He rearranged familiar tales with an extraordinary gift for drama,
comedy and fantasy. And over all this Work, so rich with soaring language and
glistening poetry, he cast an unprecedented mood of grandeur and glory. Never
had the theatre been showered with such lyricism and pass A. They reflect the people in reality as well as in his dreams. B. They often have to make hard choices as to what to do. C. They are caught in the conflict of emotions and feel ashamed of themselves. D. All of the above.
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