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发布时间:2024-07-07 06:12:33

[单项选择][1] "Daddy, you’re crying," say my sons. "No, boys, I’m man-crying. Very useful skill. "
[2] A short walk from my house in Hampshire, on a hill overlooking the heathland, is a plaque marking the spot where Richard Pryce Jones deliberately crashed his Halifax bomber during the war. He could have parachuted to safety, but that would have meant crashing into the village. The epitaph reads: "He died that others might live. "
[3] It never fails to move me. Not to tears, you understand. That would be disrespectful. But I do usually manage a lump in the throat and that film of moisture over the eyes that men have in their emotional armoury. Gordon Brown demonstrated the non-crying cry beautifully when he made his farewell speech on the steps of Number 10. That catch in the throat. The determination not to weep in public. At that moment, if at no other, he had nobility.
[4] Not everyone can carry it off. I don’t think Paul Gascoigne ever quite got the han
A. noble
B. strong
C. determined
D. indifferent

更多"[1] 'Daddy, you’re crying,' say my "的相关试题:

[单项选择][1] "Daddy, you’re crying," say my sons. "No, boys, I’m man-crying. Very useful skill. "
[2] A short walk from my house in Hampshire, on a hill overlooking the heathland, is a plaque marking the spot where Richard Pryce Jones deliberately crashed his Halifax bomber during the war. He could have parachuted to safety, but that would have meant crashing into the village. The epitaph reads: "He died that others might live. "
[3] It never fails to move me. Not to tears, you understand. That would be disrespectful. But I do usually manage a lump in the throat and that film of moisture over the eyes that men have in their emotional armoury. Gordon Brown demonstrated the non-crying cry beautifully when he made his farewell speech on the steps of Number 10. That catch in the throat. The determination not to weep in public. At that moment, if at no other, he had nobility.
[4] Not everyone can carry it off. I don’t think Paul Gascoigne ever quite got the han
A. he was not allowed to do so
B. he wanted to save his plane
C. he was afraid of parachute jump
D. he didn’t want to take the villagers’ lives
[简答题]I am very fragile. When you say my name, you break me. What’s my name
[单项选择]The reason for my refusal is ( ) you’re unreliable.
A. because
B. that
C. due to
D. for
[单项选择]Once you’re prepared for a situation, you’re 50 percent of the way toward overcoming nervousness. The other 50 percent is the physical and mental control of nervousness; adjusting your attitude so you have confidence, and control of yourself and your audience.
I was in the theater for many years and always went to work with terrible stage fright—until I was in The King and I. While waiting offstage one night, I saw Yul Brynner, the show’s star, pushing in a lunging (冲) position against a wall. It looked as though he wanted to knock it down. "This helps me control my nervousness," he explained.
I tried it and, sure enough, freed myself from stage fright. Not only that, but pushing the wall seemed to give me a whole new kind of physical energy. Later I discovered that when you push against a wall you contract the muscles that lie just below where your ribs (肋骨) begin to splay (展开). I call this area the "vital triangle".
To understand how
A. adjust his attitude as well as make preparations
B. ask the audience to give him confidence
C. try not to be knocked down by stage fright
D. wait offstage
[单项选择]If you’re like most people, you’re way too smart for advertising. You skip right past newspaper ads, never click on ads online and leave the room during TV commercials.
That, at least, is what we tell ourselves. But what we tell ourselves is wrong. Advertising works, which is why, even in hard economic times, Madison Avenue is a 34 billion-a-year business. And if Martin Lindstrom--author of the best seller Buyology and a marketing consultant for Fortune 500 companies, including PepsiCo and Disney--is correct, trying to tune this stuff out is about to get a whole lot harder.
Lindstrom is a practitioner of neuromarketing (神经营销学) research, in which consumers are exposed to ads while hooked up to machines that monitor brain activity, sweat responses and movements in face muscles, all of which are markers of emotion. According to his studies, 83% of all forms of advertising principally engage only one of our senses: sight. Hearing, however, can
A. ads are a waste of time
B. ads are unavoidable in life
C. they are easily misled by ads
D. they are not influenced by ads
[填空题]What will you say when your adviser helps you to edit your paper
"Thank you for your help. " or "I really().

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