Roger Rosenblatt’s book Black Fiction,
in attempting to apply literary rather than sociopolitical criteria to its
subject, successfully alters the approach taken by most previous studies. As
Rosenblatt notes, criticism of Black writing has often served as a pretext for
illustrating Black history. Addison Gayle’s recent work, for instance, judges
the value of Black fiction by overtly political standards, rating each work
according to the notions of Black identity that it propounds. Although fiction assuredly springs from political circumstances, its authors react to those circumstances in ways other than ideological, and talking about novels and stories primarily as instruments of ideology avoids cleverly much of the fictional enterprise. Rosenblatt’s literary analysis discloses ties and connections among works of Black fictio A. emphasizes purely literary aspect of such fiction B. misinterprets the ideological content of such fiction C. misunderstands the notions of Black identity contained in such fiction D. substitutes political for literary criteria in evaluating such fiction [单项选择] {{B}}TEXT B{{/B}}
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