Back in the .16th century, political
plays were all about men. Not now. For some time, American female playwrights
have followed the (1) of Wendy Wasserstein, a 50-year-old
Brooklyn-born dramatist, whose work has focused (2) family
drama and personal (3) . Overtly political plays were
considered (4) and unfashionable. But this is no longer so
often the (5) . A new generation of female
playwrights (6) tackling such subjects (7)
racism, rape and apartheid. The quality of these plays has varied
(8) . The best (9) their subjects with nuance
and subtlety, while it is the more controversial pr6ductions (10)
fall flat. With topical issues now the stuff 0fshallow,
made-for-television movies, audiences are looking to the theatre for something
more (11) . Rebecca Gilman’s A. helps B. helped C. helping D. help
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Back in the .16th century, political
plays were all about men. Not now. For some time, American female playwrights
have followed the (1) of Wendy Wasserstein, a 50-year-old
Brooklyn-born dramatist, whose work has focused (2) family
drama and personal (3) . Overtly political plays were
considered (4) and unfashionable. But this is no longer so
often the (5) . A new generation of female
playwrights (6) tackling such subjects (7)
racism, rape and apartheid. The quality of these plays has varied
(8) . The best (9) their subjects with nuance
and subtlety, while it is the more controversial pr6ductions (10)
fall flat. With topical issues now the stuff 0fshallow,
made-for-television movies, audiences are looking to the theatre for something
more (11) . Rebecca Gilman’s A. model B. pattern C. mode D. fashion
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