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Is the literary critic like the poet, responding creatively, intuitively, subjectively to the written word as the poet responds to human experience Or is the critic more like a scientist following a series of demonstrable, verifiable steps, using an objective method of analysis
For the woman who is a practitioner of feminist literary criticism, the subjectivity versus objectivity or critic-as-artist-or-scientist debate has special significance. For her the question is not only academic but political as well, and her definition will court special risks whichever side of the issue it favors. If she defines feminist criticism as objective and scientific—a valid, verifiable, intellectual method that anyone, whether man or woman, can perform—the definition not only precludes the critic-as-artist approach, but may also impede accomplishment of the utilitarian political objectives of those who seek to change the a
A. How Theories of Literary Criticism Can Best Be Used.
B. Problems Confronting Women Who Are Feminist Literary Critics.
C. A Historical Overview of Feminist Literary Criticism.
D. A New Theory of Literary Criticism.

[单项选择]
Is the literary critic like the poet, responding creatively, intuitively, subjectively to the written word as the poet responds to human experience Or is the critic more like a scientist following a series of demonstrable, verifiable steps, using an objective method of analysis
For the woman who is a practitioner of feminist literary criticism, the subjectivity versus objectivity or critic-as-artist-or-scientist debate has special significance. For her the question is not only academic but political as well, and her definition will court special risks whichever side of the issue it favors. If she defines feminist criticism as objective and scientific—a valid, verifiable, intellectual method that anyone, whether man or woman, can perform—the definition not only precludes the critic-as-artist approach, but may also impede accomplishment of the utilitarian political objectives of those who seek to change the a
A. There are large numbers of capable women working within the academic establishment.
B. There are a few powerful feminist critics who have been recognized by the academic establishment.
C. Like other critics, most women who are literary critics define criticism as either scientific or artistic.
D. Women who are literary critics face professional risks different from those faced by men who are literary critics.

[单项选择]Is the literary critic like the poet, responding creatively, intuitively, subjectively to the written word as the poet responds to human experience Or is the critic more like a scientist, following a series of demonstrable, verifiable steps, using an objective method of analysis
For the woman who is a practitioner of feminist literary criticism, the subjectivity versus objectivity, or critic-as-artist-or-scientist, debate has special significance; for her, the question is not only academic, but political as well, and her definition will provoke special risks whichever side of the issue it favors. If she defines feminist criticism as objective and scientific--a valid, verifiable, intellectual method that anyone, whether man or woman, can perform--the definition not only makes the critic-as-artist approach impossible, but may also hinder accomplishment of the utilitarian political objectives of those who seek to change the academic establishment and its thinking, especially about se
A. cannot be resolved without extensive debate.
B. are primarily academic in nature and open to abstract analysis.
C. are contested largely through contention over power.
D. will be debated by both men and women.