The most interesting architectural
phenomenon of the 1970’s was the enthusiasm for refurbishing older buildings.
Obviously, this was not an entirely new phenomenon. What is new is the wholesale
interest in reusing the past, in recycling, in adaptive re- habilitation. A few
trial efforts, such as Ghirardelli Square in San Francisco, proved their
financial viability in the 1960’s, but it was in the 1970’s, with strong
government support through tax incentives and rapid depreciation, as well as
growing interest in ecology issues, that recycling became a major factor on the
urban scene. One of the most comprehensive ventures was the
restoration and transformation of Boston’s eighteenth century Faneuil Hall and
the Quincy Market, designed in 1824. This section had fallen on hard times, but
beginning with the construction of a new cit A. restaurants, offices and stores B. sports and recreational facilities C. Boston’s new city hall D. a marvelous setting for commerce
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[单项选择] Passage Two
The most interesting architectural
phenomenon of the 1970’s was the enthusiasm for refurbishing older buildings.
Obviously, this was not an entirely new phenomenon. What is new is the wholesale
interest in reusing the past, in recycling, in adaptive re- habilitation. A few
trial efforts, such as Ghirardelli Square in San Francisco, proved their
financial viability in the 1960’s, but it was in the 1970’s, with strong
government support through tax incentives and rapid depreciation, as well as
growing interest in ecology issues, that recycling became a major factor on the
urban scene. One of the most comprehensive ventures was the
restoration and transformation of Boston’s eighteenth century Faneuil Hall and
the Quincy Market, designed in 1824. This section had fallen on hard times, but
beginning with the construction of a new cit A. The architectural phenomenon of the 1970’s. B. Tile architectural style from 1824 to 1970’s. C. In the 1970’s, recycling old buildings became famous. D. During the 1970’s, old buildings in many cities were recycled for modern use.
[单项选择] Passage Two
Most new words are made up from other
earlier words; language-making is a conservative process, wasting little. When
new words unfold out of old ones, the original meaning usually hangs around like
an unrecognizable scent, a sort of secret. There are two immense
words from Indo-European, gene and bheu, each a virtual anthill in itself, from
which we have constructed the notion Of everything. At the beginning or as far
back as they are traceable, they meant something like being. Gene signified
beginning, giving birth, while bheu indicated existence and growth. Gene turned
itself successively into kund jaz (Germanic) and gecynd (Old English), meaning
kin or kind. Kind was at first a family connection, later an elevated social
rank, and finally came to rest meaning kindly or gentle. Meanwhile, a branch of
gene became the Latin gens A. how to coin new words B. where to trace the origin of language C. the evolution of words D. language and nature
[单项选择] Passage Two
The two claws of the mature American
lobster are decidedly different from each other. The crusher claw is short and
stout; the cutter claw is long and slender. Such bilateral asymmetry, in which
the right side of the body is, in all other respects, a mirror image of the left
side, is not unlike handedness in humans. But where the majority of humans are
right-handed, in lobsters the crusher claw appears with equal probability on
either the right side or left side of the body. Bilateral
asymmetry of the claws comes about gradually. In the juvenile fourth and fifth
stages of development, the paired claws are symmetrical and cutterlike.
Asymmetry begins to appear in the juvenile sixth stage of development, and the
paired claws further diverge toward well-defined cutter and crusher claws during
succeeding stages. An intriguing aspect A. drawing an analogy between asymmetry in lobsters and handed in humans. B. developing a method for predicating whether crusher claws in lobster will appear on the left or right side C. explaining differences between lobsters’ crusher claws and cutter claws D. discussing a possible explanation for the way bilateral asymmetry is determined in lobsters
[单项选择] Passage Two
If two scientists at Los Alamos
National Laboratory are correct, People will still be driving gasoline-powered
cars 50 years from now, giving out heat-trapping carbon dioxide into the
atmosphere--and yet that carbon dioxide will not contribute to global warming.
The scientists, F. Jeffrey Martin and William L. Kubic Jr., are proposing a
concept, which they have patriotically named Green Freedom for removing carbon
dioxide from the air and turning it back into gasoline. The idea
is simple. Air would be blown over a liquid solution which would absorb the
carbon dioxide. The carbon dioxide would then be extracted and subjected to
chemical reactions that would turn it into fuel. Although they have not yet
built a fuel factory, or even a small prototype, the scientists say it is all
based on existing technology. "Everything in the co A. It is given a patriotic name. B. No law of physics is violated. C. It is based on existing technology. D. Carbon dioxide can be converted into fuel.
[单项选择] Passage Two
Unfortunately most of the science
fiction films of the 1970s were not much influenced by 2001 A Space Odyssey.
Skillfully directed by Stanley Kubrick, 2001. which appeared in 1968, set new
standards for science fiction films. During the next decade, every one of the
dozens of science fiction movies released was compared to 2001 , and all but a
few were found sadly lacking. Admittedly, Kubrick had one of the
largest budgets ever for a film of this kind, but, in my opinion, much of the
movie’s power and appeal was achieved through relatively inexpensive means. For
example, the musical score, which was adapted in large part from
well-known classical compositions, was reinforced by the use of almost
kaleidoscopic visual effects, especially during the space travel sequences.
Spectacular camera work was edited to correspond precisely A. He objects to their camera work. B. He does not like their music. C. He believes that their stories are too much alike. D. He criticizes their special effects.
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