[单项选择]

3

Forget what Virginia Woolf said about what a writer needs—a room of one’s own. The writer she has in mind wasn’t at work on a novel in cyberspace, one with multiple hyper texts, animated graphics and downloads of trance, charming music. For that you also need graphic interfaces, Real Player and maybe even a computer laboratory at Brown Universi ty. That was where Mark Amerika—his legally adopted name; don’t ask him about his birth name—composed much of his novel Grammatron. But Grammatron isn’t just a sto ry. It’s an online narrative (grammatron. com) that uses the capabilities of cyberspace to tie the conventional story line into complicated knots. In the four years it took to produce—it was completed in ]997—each new advance in computer software became another potential story device. "I became sort of dependent on the industry," jokes Amerika, who is also the author of two novels printed on paper. "That’s unusual for a writer, because
A. immerse themselves only in creating the plot
B. be captivated by the plot alone while reading
C. be lagged far behind in the plot development
D. let their plot get lost in the on-going story

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