[单项选择]A quarter century ago, the sensation of the season was the children’s book Masquerade, by British artist Kit Williams. This story of a hare’s quest to deliver a message between moon and sun incorporated dazzlingly archetypal illustrations and bits of many myths collapsed into the inscriptions framing the fifteen pictures.
Masquerade became a media event because it presented in code the location of a golden hare sculpture Williams had buried. Once revealed, the code was disappointingly simple: "To solve the hidden riddle you must use your eyes," the book’s opening words, meant that eyes in the paintings pointed to words in the margins. The dazzling imagery was only filler, albeit hauntingly mysterious filler. Sensitive readers still felt that the visual mystery had to have meant more than this literal mapping.
An equally unanticipated publishing phenomenon, Dan Brown’s novel The Da Vinci Code, suggests that already existing buildings and works of art, some of them famous, are
A. The novel derives itself from the painting.
B. The interpretation of the painting is used to advance the plot of the novel.
C. The painting has nothing to do with the novel.
D. As a painter, Da Vinci is best known for the painting The Last Supper.