[单项选择]"Visual Music" is a fine-tuned, highly diverting, deceptively radical exhibition about the relationship of music and modem art, lately arrived here at the Hirshhorn Museum. In its hippy-trippy way, it rewrites a crucial chapter of history.
Its subtitle is "Synaesthesia in Art and Music Since 1900." Aristotle formulated the idea that each of the five senses -- smell, taste, touch, hearing and sight -- had its own proper and distinct sphere of activity. There were overlaps, he said (movement pertained both to sight and touch); and he speculated that the mysteries of color harmony might have something to do with musical harmony, an idea that would resonate for centuries. Musical harmony, as an expression of geometry, was thought to be useful to the study of art and architecture from the Renaissance on. But the notion that there was an essential separation among the sensual spheres persisted into the early 19th century. At the same time reports began to emerge of rare people who said
A. the women could perceive colors when she read words.
B. Russian words may be dull and hard to remember as they are black and brown.
C. simple words are not colorful.
D. German may be easy to remember as they are with strange colors.