[单项选择]

The history of responses to the work of the artist Sandro Botticelli (1444 ～1510) suggests that widespread appreciation by critics is a relatively recent phenomenon. Writing in 1550, Vasari expressed an unease with Botticelli’s work, admitting that the artist fitted awkwardly into his evolutionary scheme of the history of art. Over the next two centuries, academic art historians defamed Botticelli in favor of his fellows Florentine, Michelangelo. Even when anti-academic art historians of the early nineteenth century rejected many of the standards of evaluation adopted by their predecessors, Botticelli’s work remained outside of accepted taste, pleasing neither amateur observers nor connoisseurs. (Many of his best paintings, however, remained hidden away in obscure churches and private homes.)
The primary reason for Botticelli’s unpopularity is not difficult to understand: most observers, up until the midnineteenth century, did not consider him to
A. representatives in the Pre-Raphaelite Movement.
B. people who are in favor of Florentine.
C. critics who are likely to make assessments.
D. conservatives clinging to classical art.

最新试题

• ●    There are five basic functions of a newspaper: to
• ●    [不定项选择题]
• ●    数码照相机有（）、（）、（）、（）4类。
• ●    中国移动网络资源数据模板，规范了那些资源数据添加格式，及时必填的字段要求（）
• ●    [多选题]冬季施工安全教育主要包括( )等内容。
• ●    {{B}}Questions 11 to 18 are based on the conversat